Originally approached to edit this campaign, after a pre-pro call with the creatives team, exchanging ideas about the best way to shoot for an intimate effect, the agency decided to bring me on as a cinematographer. Shooting next to photographer Bri McDaniel and fellow cinematographer Aaron Wenk, I would take the footage with me and edit to the creative plan we’d hatched. Certainly a different way to find oneself on set, but it worked great.